You can throw in as many aerial shots of the African steppes as you want to, but until the audience cares about the journey of your protagonists, the film will not work. However, in the setting of a new precedent, the film falters because of the lack of chemistry between its two leads Shankar (Dev) and Portuguese explorer/treasure-hunter Diego Alvarez (Gerard Rudolf), and because the film never tries to incite our emotional involvement in the story.
Chander pahar book length movie#
CHANDER PAHAR was to set a new high-water mark for Bengali cinema, a swashbuckling, gorgeously shot, lavish adventure movie in the tradition of Romancing the Stone or Raiders of the Lost Ark. Unfortunately, he forgets that he doesn’t have any.ĭirector Kamaleshwar Mukherjee, fresh off the stunning triumph of his fever-dream Ritwik Ghatak biopic MEGHE DHAKA TARA, bites off more than he can chew here. Burdened here with the knowledge that he’s the sole lead and USP of the costliest film ever made in the Tollywood film industry (at a princely sum of Rs 15 crore, which must be roughly Aamir Khan’s signing fee for Dhoom 3) and has no heroines to dance in waterfalls with or rescue from aerodynamically optimized villains, Dev pulls out all the stops and makes a sincere effort to do a Bullock or Franco and carry a movie off on his own personal charisma. The fact that it is still a rather boring, uninspiring mess is a testament to the generally poor quality of his previous work. I am free.ĬHANDER PAHAR may very well be the best film Dev has ever acted in, by quite a margin.
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I have survived two and a half hours of Dev outrunning lions, elephants, common sense and some weird-looking boss villain called the Bunyip.
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Only when the steaming coffee drops from my numb fingers onto my clothes do I wake up from my near-catatonia and realize that the worst is behind me. I stagger out of the darkened theatre as soon as the credits begin to roll, and head for the coffee bar.